ThenewseriesisgoingtobeentitledTheTowerII:DeathMessageandisbasedonKateLondon’sbrilliantsecondnovelofthesamename.ItisbeingadaptedbyscreenwriterPatrickHarbinson(Homeland,Fearless,24,ER)andproducedbyhiscompanyWindhoverFilmsandproductioncompanyMammothScreen.TheseriesopenswithLizzie(TahirahSharif)returningtoFarlowstationwhereherbossandformerlover,DIKieranShaw(EmmettJScanlan),partnersherwithArifJohar(MichaelKarim).TheirfirstcallistoadomesticviolencecomplaintagainstMarkBrannon,whoisaccusedofbeatinguphisgirlfriend,GeorginaTeel,andterrorisingtheiryoungdaughterSkye.LizziepersuadesGeorginatotellthetruthaboutwhatBrannonhasdonetoher,enablingLizzieandAriftoarresthim.However,oncethecasegetstocourt,Lizziefindsherselfcross-examinedonthestand,leavingthewholeca搜索引擎优化naknife-edge.”SarahknowsthatFeddenhashandedheranimpossiblechallenge,butshethrowsherselfintoitwithtypicaldeterminationandthoroughness.And,gradually,perhapshelpedbythefactthatshetoowasateenagerofTania’sagebackin1997,shebeginstouncovercluesthatpreviousinvestigationshadoverlooked.Attheendofthefirstepisode,Sarah’sinvestigationstakeafurthertwist,whichmeanssheandLizziecrosspathsagain半部理想困境，次要联系到日本黑帮被边缘化的社会职位，那局部由一个很长的抒情段落加反飞扬的设计构成，灰调下有十分细致的正反打处理（特地见于副角同女友夜早的对话戏），但总体觉得还是短少一个中心境节。影戏最后，正在海边被刺死的副角，年青的帮派年夜佬和他的女儿精确指背黑道家族的过来、现正在和已来，带有一种悲观的宿命论。