Whenthefilmbegins,itisallover.“Weknowit’sterminal,andthat’sall”,saysJulianeofhermotherKerstin,whoisingreatpainandabouttodieagedjust64.Althoughtheyoungdoctorsheconsultsacknowledgesonapersonallevelthateveryonehastherighttomanagetheirowndeath,henonethelessremindsherthateuthanasiaisstillillegalinGermany.ThisisevenmorethecaseattheCatholichospicewhereKerstinisstaying.Asrelativescometosaygoodbyetohermotherandtheemotionsofmemoriesminglewiththeanticipationofgrief,Julianefindsherselfhavingtodobattlewithtime–unbending,apatheticandmonochrome–andthisissuperblyreflectedintheconvulsionsofthehandheldcamerainwideshots.Basedonpersonalexperience,JessicaKrummacher’ssecondfeaturefilmvividlyrelatesthepainfulstoryoflosingaparent.Thereisnoviolenceormorbidity,ratherthedirectordescribesthemostimportantofeventsviathesmallest,mostfragileofdetails–theexchangingofwords,textsandtendergesturesthatremainwithusandgetunderourskin烂的一批,吴镇宇完整没华仔的气势,辉影帝完整是为了描写而描写,像是客串一样,毫无建树,东莞仔是最年夜的败笔,选角得利,媳妇被加害了,最需供的时分,居然跑来僵持,没有陪同,结局是最他妈无语的,不道了,1星。
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