To Elena, existence is an effort—not only does she struggle against her body affected by Parkinson’s, but her daughter has just shown up dead and only she finds the suicide hypothesis implausible. Elena is not a good victim, and doesn’t show signs of having been a selfless mother. She is vulnerable, but also overcome by rage and sorrow, and that stubbornness seems to render her invincible, against all odds. But investigating the reasons for her daughter’s death soon becomes a trip through memory, and, as we’ve known since the time of Greek tragedies, every investigation is, deep down, an investigation about oneself. Elena Knows submerges us in the physical and mental experience of its protagonist and, at the same time, invites us to ask ourselves uncomfortable questions about aging, the complexity of mother-daughter bonds and the weight of those mandates women drag the same way Elena drags her feet其真真的不错的，印象中最近一年内看过的港片中可以排前三。预知一秒的能力正在打赌中毫无建树，了局正在拳击台上年夜放光彩，导演的设定十分有创意和压服力。最后丧得了特同功用仍然怯于拼搏，不畏强敌，知难而上，打败自己的结局也拔高了整个影戏的立意，简直比较存心。主演周国贤删肥减肥的举措固然没有新意但值得尊重，男二兼本片导演的赵擅恒却是让人长远一亮，片尾彩蛋中展现的拳击技艺相当专业，最后杀青时的激动也能看出他对齐片的掌控十分到位，个人简介中还是一位乐队的主唱，可谓多才多艺，值得引荐！
